Friday, November 20, 2009

Am I whoring out my children?

A few random thoughts as I sit here as useless as tits on a bull at the food and wine show at the Metro Toronto Convention Cente.

1. Is this any way for a nice Jewish girl to spend Shabos? Here I co-mingle with thousands of would-be lushes as they often pretentiously sniff and snort their way to inebriation, which has to be their vision quest. On the other hand, The Husband's vodka is garnering rave reviews and I still am paying college tuition for one child, so anything that pushes our way into the crowded Canadian bars is a virtous way to spend God's holy day.

2. Am I a crappy mother? We have enlisted the help of all of the offspring to help in this most important show of shows. There is something incredibly unsettling watching one's children describe alcoholic beverages in vivid detail and become animatedly excited at the same time. Twin Son put his lovely daughter to work chatting up the customers and there is no doubt that traffic has markedly increased. Is this what we have become? Vodka pimps?

There will be much more to share as the weekend progresses. Stay tuned. In the meantime, get thee to a liquour store and purchase a bottle of Still Waters vodka. Mama needs a new pair of shoes!


- Posted using BlogPress from my iPhone

Sunday, November 15, 2009

Bruised But Not Beaten

On my way to Kabbalat Shabbat services on Friday evening, I took a tumble-literally. I know that there are three stairs leading from my home into the garage, but I apparently decided that one was sufficient and completely avoided the bottom two. Consequently, I ended up with cuts, scrapes, and bruises from my right hip to my right ankle, a sore lower back, and a butt decorated with more hues than the indigo end of the colour spectrum. (For all of you long time Blue Jay fans, George Bell's butt has nothing on mine!!) For the most part I was incredibly fortunate. Aside from some obvious discomfort, I neither broke anything, nor did anything tear. I didn't injure my head and the only other thing of consequence that suffered measurable damage was my pride. I mention this Jack and Jill adventure not solely to elicit sympathy, (although a little bit of oohing and ahing from the peanut gallery wouldn't hurt at all!) but to share where I landed and how I think that it has some symbolic relevance. You see, I ended up, butter side down, smack dab in the centre of one of our blue box recycling bins. The backpack I was carrying, filled with my service music, siddur, tallit and song sheets, found a resting place in the green bin used for organic composting.

There is something strangely ironic about finding oneself amongst the recycling. It is almost as if the cosmos were sending me a message. While old ideas and thoughts can be comforting and easy, it often takes a grand leap of faith (or in my case, a tumble!) to venture into the new, provocative and unknown. The new takes work and practice and time. The old and recycled requires little thought or energy. The innovative needs planning and careful execution. The old appears unimaginative, uninspired and pedestrian. It seems to me that we all need to save ourselves from the recycling. We must continually challenge ourselves to try new and sometimes terrifying endeavours. We must never let ourselves become complacent or bored, lest we become boring. Building on the old to develop the new should be exciting, not frightening. We cannot allow ourselves to dismiss that which we do not understand simply because we are too lazy, too old or too nervous to learn anew.

There was also a strange synergy associated with the fact that my religious materials found their resting place amongst the organics. My personal conversation with God is inextricably linked with my being. It is a deeply internal conviction that I wouldn't presume to impose on anybody else, but my faith and my Judaism are living, breathing parts of me. It is that constant searching for religious truth in a modern world that has led me to push myself forward, even when life has been its most challenging, and complacency would certainly have been the easiest course to take.

It was almost as if my little slip down the stairs was meant as a little tap on the shoulder from the powers that be. Be more aware of the actions that I am taking; become more engaged in newness and freshness, lest I become obsolete, and recommit myself to personal and holistic growth. Landing on my ass was just about the best lesson I could have had this week.

Wednesday, November 11, 2009

Biennial and H1N1


I had my pig flu inoculation yesterday. Now before any of you accuse me of queue jumping or inappropriate health care protocol, I would like to remind you that I am considered high risk due to my chronic asthma. Breathing may be a bodily function that most of us take for granted, but trust me, when it is something that becomes laboured, one truly realizes its importance. My arm is a bit sore, (nothing out of the ordinary from the seasonal flu vaccination that I am subjected to annually) and there is a bit of bruising around the injection site. Again, nothing that a couple of extra strength Tylenol can't address. I should also mention that while my doctor is fairly certain that I have already suffered through a bout with this miserable virus, there is always a chance for a recurrence and I refuse to play host for another pathogen party.

Contrary to the myriad of conflicting evidence about vaccinations on the internet, I prefer to take my medical advice from trained professionals; namely doctors and public health officials. (With sincere apologies to skeptics like Bill Maher, Glenn Beck, or Jenny McCarthy.) I will not profess to know everything or anything about the composition of said vaccines, or their potential effects on the body, (I will leave that up to the experts!) but I do know a bit about what it feels like to suffer through the swine flu. I do know that it can be devastating on the body and I do know that in the wrong person, the effects can be catastrophic. I do know that it is spreading like wildfire, (According to the Centre for Disease Control the flu is now widespread in 48 out of 50 states and Health Canada reports that it is now in all provinces and territories) and that it is easily spread through cursory contact. (Washing our hands and Purelling is all well and good, but I shudder at the thought of air travel this holiday season with all of the hackers, sneezers and drippers!) I believe that having the shot is a public health issue. If I get the vaccine, then that is one less person that is likely to be felled by this miserable virus. One less person clogging emergency rooms and doctors offices. One less person missing work or school. One less person spreading it around. I choose to stay healthy and I am helping my fellow citizens stay healthy as well. Obviously, vaccinations are a personal choice and I can do nothing to convince any of you to inoculate yourselves or your families. I am simply stating my personal preference.

The Biennial was a little like my swine flu inoculation. It has taken me a few days to decompress from the whirlwind that was the 70th Union For Reform Judaism Biennial. I wanted to breathe for a bit before I offered an assessment of the five and a half days that I spent in the heart of my hometown. Biennial conventions can be like camp. They are filled with great programming, phenomenal music, incredible ruach, (spirit) wonderful friends, and spiritual renewal. But, like camp the glow fades and reality takes over when faced with the truth. Biennials can do nothing to help the overall health of a congregation unless one is willing to take the shot. We must take all that we have gleaned from the convention to renew the health and well-being of our congregations. One cannot become inoculated by osmosis. One cannot simply expect others to do the hard work necessary to make our congregational communities relevant. In other words, many more need to make the commitment to full Biennial participation if the whole of the kehillah expects to remain healthy.

I learned a great deal over the last week at the Biennial. I took home some wonderful new music, some innovative service ideas, some programs that I think might translate well to my congregation and some new friendships. Mostly what was renewed in me was the sense that our congregations are all about relationships. We need to value our people and our programs will follow. We need to understand that our synagogues are not businesses in the traditional model, and that our members are not shareholders waiting for return on their investments. We rely heavily on our volunteers and they need to be made to feel as integral to our success as is the clergy. Simple letters of thanks aren't trite, they are essential. Youth programs aren't a drain on our resources, they are an investment in our future. Technology, websites, social networking and blogs like this one are the new media and we cannot get stuck in old and traditional models that no longer reach or meet the needs of our members. Rabbi Yoffie challenged all of us to update our technology in his Shabbat sermon, and we can no longer use the excuse of lack of time, knowledge, or money to block us in appropriately meeting the needs of our members. We are losing touch, and synagogues should be all about touch.

I will have a great deal more to say about synagogues and community outreach in upcoming posts. It has become a personal passion and I have come to the very real conclusion that in order to survive, synagogues and we synagogue leaders by natural extension, need to radically alter the model. The paradigm is simply outdated and needs a complete overall. If we hope to keep the synagogue at the centre of Jewish life, we need to wholly reexamine our goals, our direction, and our vision. At the top of this list should be to inoculate ourselves with the medication that is already available through participation in future Biennials. It might not be the panacea we crave, but it is a good start.

Thursday, November 5, 2009

Flexibility is the key!

It has been a number of years since I sang in a choir. I have sung with choirs, for choirs and conducted choirs. But given my soloist status over these many years, singing with a group of many souls attempting to make various voices sound as one has not been on my radar. So, it was with tremendous excitement and anticipation that I registered to participate in the Biennal choir.

This decision is not one for the faint of heart or the weak of voice. The music is challenging and the hours are long. Participants need to arrive at the conference a day ahead of schedule in order to attend all rehearsals, and they need to be willing to invest several hours in advance of the conclave studying the various pieces. We are a diverse group, spanning many regions, many ages and many vocal stylings, but above all, we are there for the music, and the chance to enhance Shabbat morning worship.

It is not an easy task to coax 80 individuals to think and sing as one, but our conductor, Cantor Leigh Korn is certainly up for the job. He has been nothing short of a whirling dervish of energy, passion and fun. He has preached musical discipline for certain, but more importantly, he has asked us for flexibility; not to sweat the small stuff and to go with the flow. (Not an easy task for this anal retentive!) With his quick wit and charm, he had us at "Shalom", as we bought into his vision hook, line and sinker. Our first five and a half hour session seemed to virtually fly by.
Biennals are always an amazing musical cornucopia filled with every voice, every styling and every sound there is to offer. The biennial choir has certainly enhanced my passion for Jewish music. I can't wait for Shabbat!

Monday, November 2, 2009

The Circus is Coming to Town

They are about to descend upon my city. 3000 or so of North America's finest, and certainly most committed, progressive Jews are coming to my hometown this week in order to engage in the Union for Reform Judaism's biennial conference. It has been 30 years since the Union has brought its sideshow north of the border, and we Canucks have been anxiously awaiting and planning for the return engagement. For the neophyte amongst you, allow me to explain why this is such a big deal in my world. Every other year the union brings its travelling medicine show, complete with member rabbis, cantors, educators, lay leaders, the finest that Jewish music has to offer, and the best of the best in the Reform movement to a city heavy with anticipation to discuss, converse, study, pray and generally examine the health of progressive Judaism in North America and around the world. The study sessions engage in everything from fundraising possibilities for member congregations, to music workshops, to board training, to political activism, to t'fillah engagement, to outreach programs, and so on and so on and so on. It is a chance for us in the "biz" to recharge our batteries, reconnect with colleagues, re-engage with our chosen work and re-energize our professions. It is a chance for lay members to learn anew, bring fresh ideas back into their congregations and to just understand that others find themselves in similar situations as do they. In short, it is a major undertaking and the fact that all of these Jews will be descending upon the Great White North this week is fairly significant.

Volunteers from our member congregations across the GTA have been working for weeks to prepare for the onslaught. Twin Son's Better Half saw her phenomenal skill-set put to good use as she was anointed the volunteer co-ordinator. It has been her task to assign shifts for all of the 800 or so volunteer workers, and to adequately train said volunteers. Needless to say she has been swamped for weeks. Last week, she half-jokingly said it was a good thing that she wasn't presently employed because then her sleep schedule would have been non-existent. Volunteers from the GTA synagogue choirs have been busy as well. Many have agreed to take part in the biennial choir which will encompass singers from across the continent and which will perform at Shabbat morning services. We were tasked with learning 21 pieces of music in a 3 week time frame, and have committed to 10 hours of rehearsal over the next 3 days. Needless to say, Toronto has responded overwhelmingly to the call for volunteers.

While I am excited for what the upcoming week has in store and I am truly thrilled at the prospect of connecting with old friends and listening to some great new music, I am not blind to the challenges facing our movement. We need to move the model of the synagogue forward into the 21st century. We need to actively re-engage our youth. We need to find a way to blend the spirituality that many crave in a post 9-11 world, with traditional Jewish prayer models. We need to find ways to better reach out to our interfaith families and we need to find ways to honour those who volunteer. The URJ has always been a North American movement, but speaking as a Canadian, its leadership has always appeared to be somewhat tone deaf to the distinct society that is Canada. (Even if that statement is only partially true, the appearance is real!) It will be interesting to pose some of these questions to our leaders this week, and I intend on blogging several times from the conference. Stay tuned.

One last side note. H1N1 has been all the talk around our city, and most others lately. A gathering of approximately 3000 Jews who like to hug, kiss, shake hands and eat copiously, seems a likely breeding ground for the virus, so I will be armed to the teeth with a healthy stockpile of Purell and the hope that friends will understand a hearty elbow bump as a sign of true affection.

See you at the Convention Centre all!



Tuesday, October 27, 2009

One More Susan Werner from Hugh's

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Monday, October 26, 2009

Hugh's Room is Toronto's Hidden Gem

Several year's ago, an old camp friend introduced me to the music of a fabulous indie artist from Chicago named Susan Werner. I have been hooked ever since. I purchased a couple of albums and she has been a prominent part of my iPod rotation. Her musicianship, songwriting skills and voice just floored me. The woman is immensely talented and I am a sucker for talent. Last February, I included my version of her anthem May I Suggest in a Shabbat Shirah service in song at synagogue. The haunting lyrics, including the brilliant tag line "May I Suggest this is the best part of you life", struck the perfect chord for a song before the Mourner's Kaddish. Much of the congregation was moved to tears and, believe me it was Susan Werner, not me, who was able to induce the emotion. Our Rabbi loved the piece so much that he suggested we include it as part of our Yizkor service on Yom Kippur. The reaction was much the same.

Just before the holidays, that same rabbi noticed from an online ad that Susan was coming to Toronto to play Hugh's Room and he suggested that we go. Torontonians!! If you have never heard of or visited this gem of a club in the north part of the Bloor West Village, you are truly missing out. The intimacy of the surroundings is not to missed, and the musicians who frequent are amongst the world's best in the folk/rock/indie scene. Local artists also showcase their talents at Hugh's, and it is impossible to guess who might pop in for an impromptu session on any given evening. Joni Mitchell has been known to skulk in the shadows when in town, as have Sylvia Tyson, Gordon Lightfoot, Ashley MacIsaac and the like. Other than its inconvenient location from my home, I love everything about the place, so it was an easy call to agree to an evening with Susan Werner. We enlisted the company of some friends who feel much the same about Hugh's as do we. They were not familiar with Susan's music, but I played them a couple of tracks and they readily agreed. We were blown away. Not only was she musically brilliant, but she was funny, engaging and warm with the audience. She sipped local wine between songs, and included the crowd in some comic banter. She was irreverent, fiercely loyal to her hometown, and refreshingly unapologetic. What truly stunned me, was the music from her latest album Classics. She has taken old favourites from the likes of Cat Stevens, Marvin Gaye and Paul Simon and rejigged them with snippets from classical composers like Vivaldi, Chopin and Bach. The results are brilliant. The five of us were blown away and desperate to purchase the new disc following the show.


We were not disappointed. Susan hung around the lobby signing CDs and posing for photos. When our turn finally arrived, my friend the rabbi told her of our performance of her piece at Yom Kippur. She was visibly moved and truly taken aback. She spent a good five minutes chatting with us and even asked the rabbi if he would email her regarding a question of faith. He took her address and was planning to do so this morning. She was everything that I had hoped for and more. The pictures are a bit fuzzy because I couldn't use flash, but they aren't bad. If you are ever in this part of the world, make it your business to visit Hugh's.







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